Define Books As The Leopard
| Original Title: | Il Gattopardo |
| ISBN: | 0679731210 (ISBN13: 9780679731214) |
| Edition Language: | English |
| Characters: | Fabrizio Corbera, Principe di Salina, Tancredi Falconeri, Angelica Sedàra, Francesco Paolo Corbera, Concetta Corbera |
| Setting: | Sicily,1865(Italy) |
| Literary Awards: | Premio Strega for جائزة لوستريغا (1959) |
Giuseppe Tomasi di Lampedusa
Paperback | Pages: 319 pages Rating: 4 | 21470 Users | 1639 Reviews
Mention Based On Books The Leopard
| Title | : | The Leopard |
| Author | : | Giuseppe Tomasi di Lampedusa |
| Book Format | : | Paperback |
| Book Edition | : | Special Edition |
| Pages | : | Pages: 319 pages |
| Published | : | November 6th 2007 by Pantheon (first published October 25th 1958) |
| Categories | : | Fiction. Classics. Historical. Historical Fiction. Cultural. Italy. European Literature. Italian Literature |
Chronicle Concering Books The Leopard
The Leopard is a story of a decadent and dying aristocracy threatened by the forces of revolution and democracy. Set against the political upheavals of Italy in the 1860s, it focuses on Don Fabrizio, a Sicilian prince of immense sensual appetites, wealth, and great personal magnetism. Around this powerful figure swirls a glittering array of characters: a Bourbon king, liberals and pseudo liberals, peasants and millionaires.Rating Based On Books The Leopard
Ratings: 4 From 21470 Users | 1639 ReviewsAssess Based On Books The Leopard
I tremendously enjoyed reading this book. The first chapter is a bit difficult to read because it was left unfinished by the author and had to be posthumously composed from unfinished material (by Giorgio Bassani nota bene). But then the Leopard turns into a lovely 19th century society novel full of psychology, awesome landscapes and social realism. You not only get a beautiful description of Sicily and the Sicilians in the middle of the 19th Century, it is above all a study in political andA book full of the deepest melancholy and feelings of loss, poetic language and irony. I loved this book. Other people have written beautiful reviews about it, to which I have nothing to add. I refer in particular to the review of Jeffrey Keeten or the review in Dutch of Sini. Both reflect my sentiments completely.
It was a garden for the blind: a constant offence to the eyes, a pleasure strong if somewhat crude to the nose. The Paul Neyron roses, whose cuttings he had himself bought in Paris, had degenerated; first stimulated and then enfeebled by the strong if languid pull of Sicilian earth, burnt by apocalyptic Julys, they had changed into objects like flesh coloured cabbages, obscene and distilling a dense almost indecent scent which no French horticulturist would have dared hope for. The Prince put
What do I think of this? On one hand I want to laud it as being a classic of Italian literature, imbued with the essence of Lermontov and breadth of Tolstoy. However, on the other hand, this is essentially just one long episode of Downton Abbey but with less Maggie Smith and more Garibaldi. I'm conflicted about this one a bit because it does have some really boring parts but then it has some just magical passages. Eh, I liked it, but it's barely clinging on to those three stars.
I. Nunc, et in hora mortis nostrae. Now, and in the hour of our death. Amen.Thus begins Lampedusas masterpiece, his paean to death. Sensuous, insightful, subtle, The Leopard is a work of absolute beauty. In 1860 Don Fabrizio, Prince of Salina, is watching the lifeblood seep from his world: the power and the prestige, the unquestioned honors are all fading away, being bled out by revolution. He simply watches it go. He is resigned to it as he is resigned to his own nature. Sated ease tinged with
Back in 1958, Feltrinelli Editore in Milan brought out a historical novel by an obscure Palermitan aristocrat who had died only the previous year. Prince Giuseppe Tomasi di Lampedusa's posthumous, unfinished work Il Gattopardo (The Leopard) was at once hailed a masterpiece. I wholehearted agree with that. It possesses the luxurious descriptive and analytic power not simply of one of the most beguiling 20th-century novels, but one of the modern world's definitive political fictions. Lampedusa's
The quintessence of melancholy, The Leopard, lets the reader try on the skin of the titular character: the last prince in a declining aristocracy. It reminded me of Under the Volcano . I was pushed to empathize with the last leonine lord of Sicily as intimately as I did with the alcoholic diplomat in Under the Volcano, despite never having aspirations towards being crowned or pickled. Both novels deal with cornered people doing their best while their world turns to dust. The Leopard is
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